WIP: The Merlin Conspiracy

Roddy, Grundo, Nick. The goat is somewhere in front of Nick, and I still have to fit Toby and the Izzies. Photo's blurred because my hands were shaky. Gotta finish this! :)

Inspired by "The Merlin Conspiracy" by Diana Wynne Jones

Playing with acrylics

I finally decided to open the set of acrylic paints I bought some months ago. I mostly use watercolor and colored pencils, then digital paint for most of my works (which aren't enough *sigh*).

The first time I ever used acrylics was when I was about nine or ten, when my aunt gave me one of those "paint-by-number" kits. The paint was acrylic, and I remember this not because it was written on the box, but because I remember using the paint on other surfaces including eggshells* and they never washed off.

I didn't have any particular subject in mind, so I just chose the colors and dabbed them on the paper.

One of the first things I read about painting in general is making a wash, so I did that. I like how the blue and the green flow into each other. Everything else was random.



I'm trying to work on learning how to color people. Since my style is mainly manga/anime, that's the color style I'm using. However, I'm trying to work on doing realism, so I hope to veer away from doing anime style when using paint. Not that there's nothing bad about it, but I just want to try and develop a different style.

There's something wrong with this, I know. There's something wrong about the proportions, mostly. I didn't really intend for this to be anything but practice, so I don't mind that it looks bad. Room for improvement, ika nga. I used this as a reference for the pose.



One thing you must remember with acrylics is that unlike watercolor, you can't re-use acrylics once it's dry. With watercolor, just dab them with water and you're good to go. I read this in one of my painting course books but it didn't really register until I brought out my palette and tried to use the colors I already had on. Zilch. The paint was harder than glue left out for 24 hours.

Hence, this last er, work. I did it mainly because I didn't want to waste the paint. I had Burnt Sienna, Lemon Yellow, Yellow Ochre, Sap Green, Viridian, Ultra Blue and Black. The top scene was first done with dabs of Yellow Ochre, with no specific shape in mind. I just took the brush and used up all the paint until somehow, I ended up with that. I think it looks like mountains and field during sunset.

The black wiggly lines was done because I can't seem to fit the black anywhere in the top and bottom scene. The bottom's just random.

I want to buy some gum paint to experiment on next. Its like a mask you brush on your work so that particular part doesn't get any paint on it. When you're ready to work on that, you just peel the mask away.

More practice!

*Eggshells? Yes. I found a book that showed how you can remove the egg's contents without breaking the shell. After I did that, I painted the shell. Needless to say I ate a lot of scrambled eggs during the time I was in this art phase hehe.

5th Annual Sculpture Review

On Saturday, my friend Elise and I, on a whim, passed by the 5th Annual Sculpture Review in Megamall. I saw one familiar name among the list of artists, Agnes Arellano, whom I've heard mention from another artist, Datu Arellano.

"I'm Just A Rambling Man" by Lirio Salvador


"Google Earth" by Michael Cacnio


"Call Center Revolution" by Anna Varona (I like this one. The hands move counter-clockwise)


"Seacock #1" by Tito Estrada (Elise loves the colors)


There's one that I wasn't able to take a picture of, a sculpture of Manila in the future, made out of aluminum. It's mounted on the wall on the right side of the entrance. It's a really clever work.

The exhibit runs until tomorrow.

News: RP team 3rd in art ‘Olympics’

RP team 3rd in art ‘Olympics’

By Vincent Cabreza
Inquirer Northern Luzon

BAGUIO CITY—Not bad for this team of artists whose pleas for funding went largely ignored by politicians and corporations, whose members spent an extra night at a South Korean airport for lack of hotel money, and who had one member briefly detained there for carrying a bloodstained knife.

That’s just “chicken blood” from some previous home-cooked dish, the detainee said, before finally convincing authorities to let him go.

Despite this series of unfortunate events, the Philippine delegation to the 3rd Delphic Games held on the resort island of Jeju, South Korea, gave brilliant performances in what was considered the “Olympics” of the art world.

The 17-member team, mostly composed of Cordillera-based artists, placed third overall out of the 44 countries that competed in the games held on Sept. 9-15.

Ifugao woodcarver Ernesto Dul-ang, 60, bagged the gold medal in sculpture for transforming, under time pressure, a 150-cm block of wood into a human figure pouring water from a pot.

Winning the Lyra Award (a special prize given to collaborative works) was a group of Filipino puppeteers headed by EV Espiritu, who wowed the audience with a shadow play dealing with the environment.

The Delphic Games are all about “peace engendering competition of the arts,” according to German founder J. Christian Kirsch, who drew inspiration from the original Greek competitions of 582 B.C.

The first games were held in December 2000 in Moscow with the participation of 27 countries. The second was held in September 2005 in Kuching, Malaysia, with 21 countries taking part.

The event serves as the artistic counterpart of the Olympic Games, said Divina Bautista, a Filipino co-founder based in Baguio.

Dul-ang was given three days to finish the sculpture and often had difficulty communicating with the Korean organizers whenever he requested equipment to speed up his work.

On the third day, Dul-ang recalled, the statue was still without a face, prompting him to ask the team’s videographer Joel Arthur Tibaldo to be his face model.

Earlier, percussionist Ruel Bimuyag served as Dul-ang’s model for the body, while Baguio-based painter Rishab produced sketches that helped the sculptor come up with the best composition.

Continue reading

Despite their win, I can't help but feel a bit sad with this piece of news. Here we have a group of really talented artists, but very little support can be found. These are artists who really need backing more than the so called "National Artists" that's been such a hot issue these past few weeks.

I've met Rishab before, during our STS project. He and Jordan Mangosan, who was the topic for our study) each did a portraiture of me when we went to visit them in Tam-Awan Village. I was just kidding when I asked them for a portrait but to my surprise, they were game.

Cordillera artists have a special place in my heart. :)

I protest!

A news article at the Philippine Daily Inquirer about Carlo J. Caparas now a National Artist for Visual Art and Film sparked comments from the Filipino blog community. Not surprisingly, these comments were in protest of the win.

I don't really have much to say about this, except that I'm against it and will stand behind those who protest it. I believe that there are far more worthy artists out there who deserve the title. Here are a few blog entries that also air the same sentiments. I will edit this to add more later.

Gerry Alanguilan "A Questionable Victory"
- Gerry has long aired his views about the praised heaped upon Carlo J. and fought for the recognition of the artists who worked on the komiks that Caparas produced. His blog entry lists several good reasons why the win isn't just, and if you care to browse back in his archives, you'll find his other related posts.

The Marocharim Experiment "In protest of Caparas as a National Artist"

The worst part about this is that the masses don't and won't care because the bottomline is they get entertained.

Graphika Manila 2009

Now on its fourth year, Graphika Manil a continues to bring together creative minds to celebrate the works of the best multimedia and graphic designers not just from the Philippines but also around the globe.

This year's Graphika Manila will be on August 15 at the SM Mall of Asia. Learn from the local and international line-up of artists in the fields of graphic design, motion graphics and animation, and visual effects production. Listen as they talk about their ideas and inspirations,and maybe pick up a life lesson or two along the way.

Speakers:
Christian Alzmann
Industrial Light & Magic Art Director

Stefan Sagmeister

Jens Gehlhaar
Brand New School, Creative Director

Ryan Vergara & Garovs Garrovillo
Everywhere WeShoot!

Pancho Esguerra, Mark Mendoza and Greg Garcia
Springboard

Angel Guerrro
Editor in Chief, Adobo Magazine

Event Details:
Date:
August 15, 2009, Saturday
Time:
Registration begins at 10:00AM.
Event starts at 11:00AM and ends at 6:00PM
Venue:
Premier Cinema, SM Mall of Asia, Bay City,
Pasay City, Metro Manila

Manila Art Events

Found out about two art related events here in Manila, if you're interested.

ManilArt '09
16-19 July 2009
NBC Tent, Bonifacio Global City
Taguig, Metro Manila, Philippines
http://manilart.com/home.html

MANILART O9 is the first international art fair to be hosted in the Philippines, participated in by the country's leading art galleries and those of the Asian region. Art collectors and enthusiasts can view the finest examples of Contemporary Art today and gather together to exchange views and insights about the world of art.

The opening night is by invitation only and will serve as a preview to the entire art fair. MANILART 09 will open its doors to the public on July 17 until July 19. Admission tickets are priced at P200 (US$5).

Manila Design Week ‘09 Invite

Sorry for the small picture. You can check out the Project Manila entry about it for a bigger (but not so very) picture.

Drawing letters

My brother asked me to write his name on a blank page of his notebook. Normally, I'd just grab a pen and write it in block letters, but I remember how I used to really put some effort in it, so I decided to do just that.

First, I looked for a nice font to use and decided on Cracked (I think it's default here on the MacBook). Then, I took a ruler and made some boxes to evenly space the letters in between each other. Using those lines as a guide, I drew the letters, eyeballing the size.

Using a brush pen (I have a Yoka KBP15-01M which I bought on a whim), I inked in the letters. I started with the letter i because it had the least number of cracks. For some reason, my hands were shaking, which contributed to the squiggles of the letters and was ok (but if I were drawing something else, it would've been a disaster).




Finishing the other letters

After all the letters have been inked, I erased the pencil lines. To do this, I took a soft eraser and gently brushed it outwards. The paper was thin and I needed to be careful. A putty eraser would've been better. I also used an erasing shield to focus on the pencil marks. It helps keep the eraser off the ink and lessen the chances of fading it (which happens to some inks when you pass it over with an eraser).




Final product :)

Old fashioned snail mail

When I was younger, I wrote a lot of letters. I wrote to my friends when I'm in Baguio for school. I wrote to my classmates when I'm in Manila or Zambales during vacation. I wrote to my grandparents when they went to the U.S. I wrote to my cousins. I wrote little notes and long letters to my college boyfriend. I wrote to my classmates and left it in the library or bulletin boards. I even had a penpal or two abroad whom I wrote to on a regular basis.

And it wasn't just regular writing, mind you. Oh sure it was often filled with little, inconsequential things about everything and nothing, but it wasn't just words. I drew on the margins, I painted on the envelopes and sometimes wrote with nothing but pictures.

It always gave me a thrill to walk to the post office and drop the letters off. The best thing though would be when I receive a letter in return. The guys I wrote to didn't really write much, but the girls were enthusiastic in writing and were as creative as I was with their letters, maybe more.

Sadly, it seems that the number of letter writers has dwindled over the years, in favor for the faster and more convenient email, online messengers and even social networking sites.

There is nothing wrong with that, but I miss the old fashioned writing method. Hence last year, I asked my friends to send me postcards or letters and I'll send some back to them. I've yet to keep up my end of the bargain *blush* but so far, I have received four letters/postcards. Now that doesn't seem much, considering I used to get four letters in a month, whereas this was over the course of six months.

However, it's still an achievement, and every time I receive one, I feel giddy. The first one was from my college classmate Kat, then a postcard from my best friend's sister when she was in Vienna. I got a birthday card from another classmate Thet (that was a surprise!) and just today, I got a postcard from my cousins who visited New York. The stamps were all from the UN, and one that had my cousins' picture in it.

It may no longer be the chosen way to keep in touch, but I'm sure people would appreciate it if you could send a letter or two every now and then. I know I would.

I'm off now to make some postcards.

Doodle: Steampunk

For some reason I wanted to do a steampunk themed drawing, so I went searching for various information and picture references about it. There's still plenty I don't know, and I need to practice more, but I like how this came about (though it's doesn't look very steampunk-y).

I did the sketch on in my drawing pad, then using a Sakura Micron 0.3 outlined the face and body. I used watercolor then added some accents with colored pencil. The hair intentionally has no outline.

He reminds me of a high school classmate of mine. :p

More practice! :D